Interview

The reality of queer Black girls in South Africa – an interview with Sandulela Asanda about her film Black Burns Fast
Hintergrund, Interview

The reality of queer Black girls in South Africa – an interview with Sandulela Asanda about her film Black Burns Fast

A few days after the premiere of Black Burns Fast, Sarah and I have the opportunity to sit down with director Sandulela Asanda and chat about her film and the state of racism and homophobia in South Africa today. Having experienced South Africa as white Europeans several times over the last years, we feel privileged to discuss Sandulela’s perspective on her home country as a queer Black South African woman. Sandulela Asanda, © Felix Seuffert fGR: To start us off, could you please tell us a bit about how you experienced growing up with racism in South Africa and how things may have changed over time? Sandulela Asanda: The end of apartheid was the end of racial segregation, and opened up a lot of avenues and access for Black people, including economically. At the same time, even 30 ...
What Will I Become – a question for everyone 
Interview

What Will I Become – a question for everyone 

Content Note: What will I Become? deals with topics like suicide, depression, transphobia, homophobia, abuse and rape. In this year's Berlinale 14plus section there is only one documentary “What will I Become?” The film deals with the alarming high number of suicides around the trans masculine community which is around 50%. Director Lexie Bean and Logan Rozos talk about two trans boys Kyler and Blake who have lost their lives to suicide at a young age. Their personalities and lifestyles couldn't be more different from each other yet their faith ended the same way. The directors begin a journey of asking Kylers and Blakes loved ones, parents and chosen family about them while also diving into their own experience as trans people. The morning of their premiere I sat down with Lexie an...
On Families Breaking Apart – an Interview with director Mees Peijnenburg
Interview

On Families Breaking Apart – an Interview with director Mees Peijnenburg

Mees Peijnenburg is presenting his new feature A Family at this year’s Berlinale. The seasoned Generation director has come back to Berlin a fourth time to tell the Story of two siblings that bear witness to an emotional divorce by their parents. The film is split in three chapters, displaying the same events from the view of the 14 year old brother and the 17 year old sister as well as a reckoning about their shared trauma. Generation Reports (FGR): We’ve read that you’ve always wanted to tell a story about a family breaking apart. We’ve had a true intimate connection to you film. How do you connect with this story? Mees Peijnenburg: A Family started from a very personal point of view; my parents separated when I was young, and I always wanted to explore what that fracturing does to...
Improv, Openness and Spirituality – An Interview with Fernanda Tovar, the director of „Chicas Tristes“
Interview

Improv, Openness and Spirituality – An Interview with Fernanda Tovar, the director of „Chicas Tristes“

„Chicas Tristes“ by Fernanda Tovar in this year’s 14Plus competition follows two girls on their journey to realize and cope with the sexual assault against one of them.  After the film had premiered on the first Saturday of the Berlinale, some members of Generation Reports (fGR) had sat down to discuss the film. We all had been shaken and moved by the film. Meeting up with the director of the film, Fernanda Tovar, a few days later opened up new perspectives on this debut feature film.  fGR: I've read somewhere that it took you seven years to write the book. With it being such a sensitive topic, how do you deal with something like that, that is so intense and hurtful, over such a long time, without breaking, but still conveying hope through the film? Fernanda Tovar: ...
Windows of revolution – interview with the directors of Memories of a Window
Allgemein, Hintergrund, Interview, Kritik

Windows of revolution – interview with the directors of Memories of a Window

One of the most moving and politically urgent films in this year's Berlinale program is the Iranian shot film Memories of a window by Mehraneh Salimian and Amin Pakparvar. The film documents the Women, Life, Freedom protest in Iran in 2022 and the brutal oppression of the Iranian regime. At the same time, it is a poetic and deeply beautiful call to fight for your rights.I was eager to get to know the filmmakers behind this remarkable documentary. Since they couldn't make it to Berlin, we met online and I am very happy to be to share our conversation here. Amin Pakparvar and Mehraneh Salimian are both from Iran where they studied at Tehran University of Art. In 2023 they moved to Chicago to study at the Art Institute of Chicago. As Mehraneh explains they are partners in crime, in life...
Was wenn Punks die Welt retteten
Interview

Was wenn Punks die Welt retteten

Ich treffe den chilenischen Filmemacher Diego „Mapache“ Fuentes in der Lobby des Hyatt-Hotels. „Mapache“, spanisch für Waschbär, ist der Spitzname, den er sich als junger Punk an einer der elitärsten Universitäten Chiles selbst gegeben hat. Er ist herzlich und freut sich, über seinen Abschlussfilm Matapanki zu sprechen, der ihn in diesem Jahr zur Berlinale geführt hat. Matapanki erzählt die Geschichte eines jungen Punks, der Superkräfte entwickelt, sobald er betrunken ist, und damit gegen politische Ungerechtigkeit kämpft. Um Matapanki zu verstehen, hilft es, einen Blick auf die chilenische Zeitgeschichte zu werfen. Während des Kalten Krieges herrschte im Land eine brutale Militärdiktatur, auf die ab 1989 eine schrittweise Demokratisierung folgte. Doch die chilenische Gesellschaft – und...
The language of music – interview with composer Peyman Yazdanian
Interview

The language of music – interview with composer Peyman Yazdanian

One of the most touching films of this year's Berlinale screened in the Generation K+ Section was the Chinese film Zhi Wu Xue Jia - The Botanist by Jing Yi. A film that takes us to a small village at the Chinese border close to Kasachstan. For its touching portrayal of the region, its enrichment to the discourse on the human-nature relation and its stunning pictures The Botanist receives this year's Grad Prix for Best Feature Film in the Generation K+ section. I was deeply touched by this film and especially by the wonderful music, that transported the beauty and melancholy of the pictures. Therefore I asked composer Peyman Yazdanian for an interview. Peyman is an Iranian pianist and music composer. He is internationally known for his compositions for both national and foreign feature film...
Film as a Fight for Social Justice – an Interview with Director Lucia Murat about her Film ‚Hora do Recreio‘
Interview

Film as a Fight for Social Justice – an Interview with Director Lucia Murat about her Film ‚Hora do Recreio‘

It is tuesday afternoon during the Berlinale. The CinemaxX cinema is full of filmmakers, Journalists and Berlinale visitors. We manage to find a spot to record our own Interview, and are very excited when we finally get to meet and talk with Lucia Murat, the Director of 'Hora do Recreio'. In this interview, Lucia Murat talks about her personal background, about what moved her to make this movie, about the experience while working with the teenagers and about the systemic origins of violence. You can listen to it below, scroll further down to read along, or watch a shortened version of the Interview on our Instagram (or at the very bottom of the article). Interview by Liv Heyden and Anouk Segebart, video and photos by Lukas Mascher. https://open.spotify.com/episode/3OZBeNjWrekaz0vtXKB3...
Der legendäre Berlinale-Schal oder 20 Jahre Berlinale Family
Interview

Der legendäre Berlinale-Schal oder 20 Jahre Berlinale Family

im Interview mit einer treuen Berlinale Gängerin 2005 wurde ich das erste Mal von meiner Mutter mit auf die Berlinale genommen, und von fast allererster Stunde war Suse dabei, mit der ich seit dem jedes Jahr auf die Berlinale gehe und ganz viel gemeinsame Fetsival Geschichte teile. Ich habe mich schon immer gefragt, wie sieht die Berlinale für einen Menschen aus, der seit 20 Jahren das Festival besucht? Am Mittwochnachmittag treffe ich Suse im Cafe an der Urania, um uns über gemeinsame Berlinale Zeiten zu unterhalten. freie Generation Report:innen: Vielleicht erst mal zum Einstieg: wie bist Du zur Berlinale gekommen und kannst du Dich an deinen aller ersten Film erinnern? Suse: Nein, an meinen ersten Film erinnere ich mich leider nicht… Aber alles hat angefangen 2005, da habe ich...
„When you hear all these horrible stories you simply have to make this film“ – An interview with the director of Sunshine
Interview

„When you hear all these horrible stories you simply have to make this film“ – An interview with the director of Sunshine

With Sunshine (review) the experienced Filipina film maker Antoinette Jadaone presents a film that addresses the stigma surrounding abortion in her deeply Christian country. I had the opportunity to meet her and the male lead Elijah Canlas at Berlinale Palast to ask them a few questions. We talked about the state of abortions in the Philippines, and what it means to create a film covering such a difficult topic. Free Generation Reporters (fGR): What sparked your idea for the film? Antoinette Jadaone: I don't know if you have heard of the film Jojo Rabbit by Taika Waititi. It is a little bit of a weird connection, but in the film, the lead character had an imaginary friend who is Hitler. While watching it, I wasn't able to focus on the film anymore. I had this light bulb idea of a teen...