Interview

Background, Interview

The reality of queer Black girls in South Africa – an interview with Sandulela Asanda about her film Black Burns Fast

A few days after the premiere of Black Burns Fast, Sarah and I have the opportunity to sit down with director Sandulela Asanda and chat about her film and the state of racism and homophobia in South Africa today. Having experienced South Africa as white Europeans several times over the last years, we feel privileged to discuss Sandulela’s perspective on her home country as a queer Black South African woman. Sandulela Asanda, © Felix Seuffert fGR: To start us off, could you please tell us a bit about how you experienced growing up with racism in South Africa and how things may have changed over time? Sandulela Asanda: The end of apartheid was the end of racial segregation, and opened up a lot of avenues and access for Black people, including economically. At the same time, even 30 years...
On Families Breaking Apart – an Interview with director Mees Peijnenburg
Interview

On Families Breaking Apart – an Interview with director Mees Peijnenburg

Mees Peijnenburg is presenting his new feature A Family at this year’s Berlinale. The seasoned Generation director has come back to Berlin a fourth time to tell the Story of two siblings that bear witness to an emotional divorce by their parents. The film is split in three chapters, displaying the same events from the view of the 14 year old brother and the 17 year old sister as well as a reckoning about their shared trauma. Generation Reports (FGR): We’ve read that you’ve always wanted to tell a story about a family breaking apart. We’ve had a true intimate connection to you film. How do you connect with this story? Mees Peijnenburg: A Family started from a very personal point of view; my parents separated when I was young, and I always wanted to explore what that fracturing does to...
Interview

Improv, Openness and Spirituality – An Interview with Fernanda Tovar, the director of “Chicas Tristes”

„Chicas Tristes“ by Fernanda Tovar in this year’s 14Plus competition follows two girls on their journey to realize and cope with the sexual assault against one of them. After the film had premiered on the first Saturday of the Berlinale, some members of Generation Reports (fGR) had sat down to discuss the film. We all had been shaken and moved by the film. Meeting up with the director of the film, Fernanda Tovar, a few days later opened up new perspectives on this debut feature film. fGR: I've read somewhere that it took you seven years to write the book. With it being such a sensitive topic, how do you deal with something like that, that is so intense and hurtful, over such a long time, without breaking, but still conveying hope through the film? Fernanda Tovar: I broke a lot o...
Windows of revolution – interview with the directors of Memories of a Window
Background, General, Interview, Review

Windows of revolution – interview with the directors of Memories of a Window

One of the most moving and politically urgent films in this year's Berlinale program is the Iranian shot film Memories of a window by Mehraneh Salimian and Amin Pakparvar. The film documents the Women, Life, Freedom protest in Iran in 2022 and the brutal oppression of the Iranian regime. At the same time, it is a poetic and deeply beautiful call to fight for your rights.I was eager to get to know the filmmakers behind this remarkable documentary. Since they couldn't make it to Berlin, we met online and I am very happy to be to share our conversation here. Amin Pakparvar and Mehraneh Salimian are both from Iran where they studied at Tehran University of Art. In 2023 they moved to Chicago to study at the Art Institute of Chicago. As Mehraneh explains they are partners in crime, in lif...
What if punks saved the world
Interview

What if punks saved the world

I am meeting the Chilean filmmaker Diego „Mapache“ Fuentes in the lobby of the Hyatt hotel. Mapache, meaning raccoon in Spanish, is the nickname he got himself as a young punk in one of Chile's most elite universities. He is welcoming and eager to talk about his graduation film, Matapanki, which brought him to this year's Berlinale. Matapanki tells the story of a young punk that gets superpowers whenever he is drunk and starts to fight political injustice. To fully appreciate Matapanki, it helps to understand the backdrop of Chile's contemporary history. During the Cold War, the country was ruled by a brutal military dictatorship, which was followed by a gradual process of democratization beginning in 1989. For decades, Chilean society—and its cinema—have been shaped by the lingering sc...
The language of music – interview with composer Peyman Yazdanian
Interview

The language of music – interview with composer Peyman Yazdanian

One of the most touching films of this year's Berlinale screened in the Generation K+ Section was the Chinese film Zhi Wu Xue Jia - The Botanist by Jing Yi. A film that takes us to a small village at the Chinese border close to Kasachstan. For its touching portrayal of the region, its enrichment to the discourse on the human-nature relation and its stunning pictures The Botanist receives this year's Grad Prix for Best Feature Film in the Generation K+ section. I was deeply touched by this film and especially by the wonderful music, that transported the beauty and melancholy of the pictures. Therefore I asked composer Peyman Yazdanian for an interview. Peyman is an Iranian pianist and music composer. He is internationally known for his compositions for both national and foreign feature film...
Film as a Fight for Social Justice – an Interview with Director Lucia Murat about her Film ‘Hora do Recreio’
Interview

Film as a Fight for Social Justice – an Interview with Director Lucia Murat about her Film ‘Hora do Recreio’

It is tuesday afternoon during the Berlinale. The CinemaxX cinema is full of filmmakers, Journalists and Berlinale visitors. We manage to find a spot to record our own Interview, and are very excited when we finally get to meet and talk with Lucia Murat, the Director of 'Hora do Recreio'. In this interview, Lucia Murat talks about her personal background, about what moved her to make this movie, about the experience while working with the teenagers and about the systemic origins of violence. You can listen to it below, scroll further down to read along, or watch a shortened version of the Interview on our Instagram (or at the very bottom of the article). Interview by Liv Heyden and Anouk Segebart, video and photos by Lukas Mascher. https://open.spotify.com/episode/3OZBeNjWrekaz0vtXK...
„When you hear all these horrible stories you simply have to make this film“ – An interview with the director of Sunshine
Interview

„When you hear all these horrible stories you simply have to make this film“ – An interview with the director of Sunshine

With Sunshine (review) the experienced Filipina film maker Antoinette Jadaone presents a film that addresses the stigma surrounding abortion in her deeply Christian country. I had the opportunity to meet her and the male lead Elijah Canlas at Berlinale Palast to ask them a few questions. We talked about the state of abortions in the Philippines, and what it means to create a film covering such a difficult topic. Free Generation Reporters (fGR): What sparked your idea for the film?  Antoinette Jadaone: I don't know if you have heard of the film Jojo Rabbit by Taika Waititi. It is a little bit of a weird connection, but in the film, the lead character had an imaginary friend who is Hitler. While watching it, I wasn't able to focus on the film anymore. I had this light bulb idea of...
The art of creating change
Interview

The art of creating change

An interview with Rima Das. Generation has the tendency to pull film makers back to Berlin again and again over the years. Sometimes it is for a second film, often they come back as part of the International Jury. For Rima Das it is already her third visit at Berlinale. After presenting her feature film Bulbul Can Sing (review) in the 2019 Generation program and returning as part of the International Jury in 2020, she is now showing her most recent feature film Village Rockstars 2 (review) in the 14Plus competition. The day after the European premier, Liv and I sit down with her and leading actress Bhanita Das at Berlinale Palast for an extended chat.  In 2019 Liv and Carlotta already had the pleasure to interview her about Bulbul Can Sing (read here) and it’s a heartfelt reunion on ...
Taking the Berlinale’s hearts by storm
Interview

Taking the Berlinale’s hearts by storm

After an incredible premiere of Young Hearts by Anthony Schatteman I can’t help but want to speak to Anthony about his debut feature film. We meet at Berlinale Palast for an interview about Young Hearts and his experience at Berlinale so far. fGR: You’ve lived in Berlin before, but this is your first time at Berlinale presenting your own film. Do you have a favourite interaction so far or did you experience something particularly surprising? Anthony Schatteman: Today we showed the film to a very young audience for the first time. At the premiere on Saturday we had a few kids, but today it was a room full of schools. That scared me a bit, but the response was really good. At first I thought that maybe the children just like to clap, but during the Q&A so many of them came to the m...